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Introduction. The popularity of Florida's Space Mountain made the addition of one to California an obvious expansion. However, the ride in Orlando was loosely patterned after the Matterhorn in Anaheim, and Disneyland would not want two such similar rides. Therefore, the California Space Mountain would feature a single track and a completely different track layout, focusing more on speed and the sensation of flying through darkness than on exciting and unpredictable turns.


Walk Through the Queue. You approach Space Mountain from a long corridor adjacent to Redd Rockett's Pizza Port (previously, you would ascend a flat escalator - inclined speedway - straight toward the Mountain). You follow the winding course of the concrete upramp, where the queue is still relatively wide. Then, in the previous home of the 1995 Toy Story Funhouse, you encounter rope switchbacks (fortunately shaded from the sun). From there you make your way to permanent steel switchbacks, and finally enter the mountain itself, where the theming begins.

You're confronted right away with a painting of a space station: Station 77, a reference to the opening date of this attraction in 1977. Look carefully at the image and you'll see elongated space ships with multiple pods as a "neck"... do they look familiar? A version of this used to hang above the loading dock (the ship has since taken on a new look).

The metallic corridors harken back to a plan for Tomorrowland, never realized, called "Tomorrowland 2055" - a vision of gleaming chrome that lives on only here. Keep your eyes on the ceiling. You'll find a hatch dedicated to John Hench, a prime Imagineer in Walt's Day who helped design Space Mountain.

Around a couple of corners, and you're in the loading dock. The ship dangling from the ceiling has a new look, and now carries the appellation "DL 05", in reference to the 2005 refurbishment.

Mock Ride-Through. Space Mountain is a roller coaster in the dark, but the lift hills are not in pitch blackness. After your rocket is dispatched, you'll go up a small lift hill with futuristic lights whizzing past you. Then, turn another corner and it's the big lifthill, with lights around the outside calculated to make riders feel as though they are turning upside down in a giant cylinder (if you've ever been on a walkway in a movie studios park with a rotating barrel overhead, you'll know what effect they were shooting for here).

As the ride starts, you rotate past a dark meteor (this is used in the Rockin' Mountain version of the ride, and is otherwise dark and inert). There is a new soundtrack, created by Michael Giacchino, in the normal running of the ride, and the roller coaster follows the same track it has since 1977 (about 17 turns to the right, and only a few to the left). The idea is to simulate the blackness of being in space, and really highlight the sensation of flight.

Rockin' Space Mountain. Part of the 2005 rehab was an installation of some show elements in the dark, such as the meteor at the beginning of the ride, that could light up as riders zoomed by. In this sense, the Anaheim Space Mountain was borrowing ideas from its cousin in Paris. A soundsystem was built into the rockets with the ability to have two soundtracks, one for daytime and one for a nighttime version of the ride, to be named RockIt Mountain (get the pun?) It premiered only for Grad Nite in mid-2006, with a soundtrack by Hoobastank. It will be rolled out for widespread use, using the new name Rockin' Space Mountain, in the 2007 promotion of a Year of a Million Dreams.

Rockin' Space Mountain 2007, Courtesy of John Q.
After boarding your rockets, you are dispatched into lap bar check.  After dispatch, you move to the right into a small lift hill.   For the overlay, the lift colors were changed from red to a sort of bluish-purplish color. The new soundtrack starts to play, as Uncle Joe Benson "broadblasts" live from across the universe.

Welcome aboard, rockin' rockers!  This is your Uncle Joe Benson, broadblasting live from across the universe!

The blue strobe tunnel borrowed from WDW's Space Mountain remains unchanged.  Uncle Joe Benson clears us for launch, and announces that the Red Hot Chili Peppers are on the space stage.

The second lift hill has music sound waves and bars surrounding us.  At the top is a weird ball of energy.  We then emerge into "space."   The ride now consists of new light effects that illuminate the track and the support structure.  As we climb the final lift, the beginning guitar rifts of "Higher Ground" start to play.  The countdown begins…

No matter which planet you're from, we are about to rock your world!  And it's all going to happen in 5…4…3…2…Rock 'n' Roll!

"Higher Ground" played by the Red Hot Chili Peppers begins to play, as the ride consists of light effects that disorient us.  The mountain's interior is bright enough for everyone to see the other rockets.  After speeding past lights and arches, we hit the re-entry tunnel.  Joe Benson welcomes us back, telling us, "we rocked the universe!"

History. Space Mountain opened in 1977, energizing a decade-old Tomorrowland and providing Disneyland with its second roller-coaster (and the first one to open after Walt's death). Although Space Mountain opened first in Florida, the idea for it began in the mid 60's - during Walt's lifetime - as a way to refresh the aging Tomorrowland at Disneyland. However, the project was shelved for a while in California, and it wasn't until Florida's success that the ride came home to Anaheim. Back then, the Florida coaster was sponsored by RCA while the Disneyland version was "sponsored" (just a joke really) by DASA - Disneyland Aeronautics and Space Administration.

Thanks to the opening of Space Mountain, a Memorial Day Weekend attendance record was set at the Park, with Disneyland hosting 185,500 guests over the three-day period.

After two years of construction, Space Mountain opened May 27 in Tomorrowland along with the 1,100-seat Space Stage, the 670-seat Space Place fast-food restaurant and the Starcade electronic arcade. The total cost of the complex was $20 million.
VISITING DIGNITARIES: "America's first men in space, the Mercury astronauts--Scott Carpenter, Gordon Cooper, Sen. John Glenn, Wally Schirra, Alan Shepard, Donald "Deke" Slayton, and Betty Grissom, widow of Virgil I. "Gus" Grissom (May)"

Here is a letter dated October 25, 1977 from Ron Dominguez:

Dear Disneylander:

As the busy summer of '77 is now behind us, we can reflect upon the challenges and accomplishments of the season. While Space Mountain and the new Main Street Electrical Parade were fabulous additions to our show, the primary contribution was made by you, the members of our permanent Disneyland Cast. I'm sure our memories of the summer will remain with us for some time to come. The enclosed issue of Backstage magazine and the colorful Space Mountain photograph will, hopefully, summarize some of the highlights. As we look forward to the new year at Disneyland and the many challenges ahead, it is gratifying to know we have a team of people who continue to make Disneyland the finest in family entertainment.

Thank you once again for your continued cooperation and support.

Sincerely,

Ron Dominguez


The attraction remained more or less in its original form for several years. Sponsors would come and go, and minute changes, such as the addition of the speedramp at the front or the logo used for the attraction, went largely unheralded. The ride itself was totally unchanged. However, in 1995, significant changes began. First came the addition of Federal Express as the official sponsor of the ride, resulting in a number of alterations. The queue was given a facelift, adding television monitors and a themed, looping MTV-style video during the "peek inside the mountain" section of the queue. The next passageway saw the addition of a safety warning video. Also present was a new rudimentary Audio-Animatronic, a robot Fed-Ex worker near the loading dock. Sadly, several of the space telescope images after the exit ramp were replaced by Fed-Ex placards. In 1996 came the soundtrack, which was inspired by the success of the soundtrack on the Paris Space Mountain. In 1997/1998, the exterior of the mountain was painted green-gold to match the new look of Tomorrowland. However, this color scheme lasted about as long as enthusiasm did for the revamped land, and in 2003, the spires were again painted white while a canvas-like covering was laid over all other parts of the mountain, rendering it again white on the outside.

Meanwhile, the ride closed suddenly on April 10, 2003 and Disneyland announced it would remain closed until Disneyland's 50th anniversary. Apparently the ride had gotten rickety and would need a brand new installation of the same track layout - but with new effects, new rockets, and a new soundtrack - when it reopened in 2005.

2005 Rehab. The popular Space Mountain which existed from 1977-2003 closed in 2003 for needed repairs. Without ripping out the entire track and installing a brand new version, the metal was set to fatigue and might even have broken with riders aboard it. The roller-coaster closed before such a tragedy happened, and a brand new edition of the same track layout is set to open on July 15. Here's the press release from Disney:

ANAHEIM, Calif. - March 4, 2005 – As the countdown begins to May 5, 2005, and the launch of the 50th anniversary of Disneyland, the “Happiest Homecoming on Earth,” another countdown is now underway in Tomorrowland for the re-launch of “Space Mountain.” The anticipation has begun as one of the most popular adventures at Disneyland gets ready to blast-off into a new era of thrills!

“We’re very happy to announce that ‘Space Mountain’ will re-open on July 15 as one of the many celebratory festivities leading to our actual 50th anniversary on July 17,” said Matt Ouimet, president of the Disneyland Resort, during a State of the Resort presentation today for local government and business leaders. “Guests will find the classic elements they love, combined with new technology and special effects that make the experience even more of a 'wow!"

“Space Mountain,” the high-speed interstellar adventure that has captivated Disneyland guests since its debut in 1977, re-opens following nearly two years of enhancements and improvements. As the signature attraction of Tomorrowland, “Space Mountain” will once again beckon guests to its gleaming white spires and ominous slopes to experience anew the intergalactic adventure inside.

The attraction will return to its regular flight schedule with enhanced narrative elements and state-of-the-art special effects within the attraction and queue area, while retaining its essential theme and flight path through the dark reaches of outer space.

Ardent “Space Mountain” fans will find the attraction sporting a new generation of special effects, new rocket vehicles and a brand-new, custom soundtrack. Through an all-new queue and hi-tech launch port inspired by today’s era of space exploration (Mars Rover, Hubble telescope, etc.), guests will feel as if they have a first-hand look into the cosmos.

After boarding their rockets, guests will be wowed by a feeling of disorientation in the launch tunnel, hurling them towards a close encounter with a large meteorite. Following an exhilarating race through space, the experience will culminate with a new finale featuring a longer re-entry tunnel filled with spectacular lighting effects.

The initial concept for “Space Mountain” originated with Walt Disney himself back in the mid-1960s, when it was known simply as “Space Port” and destined to become an addition to Tomorrowland at Disneyland. The concept became a reality in 1975 when, after more than a decade of planning, the first incarnation of “Space Mountain” actually premiered in the Magic Kingdom Park at Walt Disney World Resort in Florida.

“Space Mountain” had its southern California premiere at Disneyland two years later on May 27, 1977. The U.S. Mercury Astronauts, America’s first men in space, were on hand for the grand opening ceremonies and to christen the 118 foot tall “mountain.”

The re-launch of “Space Mountain” joins an incredible array of new and exciting adventures, attractions and spectacular entertainment premiering at Disneyland during its “Happiest Homecoming on Earth” 50th anniversary celebration, launching May 5, 2005. Other highlights include the fun-filled and interactive “Buzz Lightyear Astro Blasters” in Tomorrowland, the spectacle of “Walt Disney’s Parade of Dreams,” “Remember . . . Dreams Come True,” (the biggest fireworks spectacular in Disneyland history), the engaging retrospective “Disneyland: The First 50 Magical Years” and the energetic “Block Party Bash” at Disney’s California Adventure.

Historical Notes. The old queue, prior to the 2005 refurbishment:

The walls of the tunnel are painted rust-brown to match the newly painted exterior of the Mountain. You descend some twenty yards and make a sharp left U-Turn. Then, you enter the "pre-viewing" room - where you can see the ride in action via some giant plate glass windows. However, most people watch the preshow videos, which are rather horrible. This preshow is an ostensible broadcast from the future, mainly a news program interspersed with comical commercials and channel surfing (one such channel is Space Mountain TV, or SMTV). Some of these commercials are for actual products, such as the space-themed Fed-Ex ones - they are the sponsor after all. Three notable things about the video: Charles Fleischer - the voice of Roger Rabbitt - is a used satellite dealer in one commercial (Crazy Larry); there is a hidden Mickey-shape on a satellite when a SM host pops up (mouse ears on satellite provide for communication with earth); and the liftoff sequence on one video is pulled directly from the blastoff video seen in the former Disney attraction "Mission to Mars." Watch also for the video scenes lifted from Disney's movie "The Black Hole" and from the movie "Tron."

You then enter a blue tunnel which has monitors on both sides, showing the safety video. That woman was not Shannen Doherty, as you might think, but the 1993 Disneyland Ambassador Kathleen Mitts. Finally, you make a sharp left into the boarding area, which you circumnavigate along the top before descending on ramps on the other side. Hanging from the ceiling is a fanciful spaceship bearing the ID number DL2000 (Florida's craft is numbered XL2000). As you board your craft, you notice a Fed Ex robot scanning shipping labels across the way - the one nice touch from the sponsor.

And here is the old ride-through, prior to 2005:

When you get on your rocket, look for the small red light at the very back of the first car (facing the second car) - this light, when lit, indicates that the music is playing in your rocket. After you are safely boarded, your rocket moves foward to the blacklight area where they perform a seatbelt check. Once there, the soundtrack kicks on, and with a final notice from "Mission Control," you're on your way. Historical note: before the soundtrack in 1995, overhead speakers repeated this message before your departure: "Space Shuttle, this is Flight Safety... Keep your hands on the handrail or inside the vehicle and remain seated while in motion. You are cleared for launch." This warning *sometimes* plays nowadays still.

A turn to the right and up the first ramp you go, accompanied by music loosely based on Saint-Saens' L'aquarium - specifically, "Carnival des animaux." You pass through the "electron room" (it looks like electrons are streaking past your head) and enter the upramp tunnel: a red light at the end sends out a circle of white beams which rotate and spiral inward toward the car as you get closer. Once at the top, you enter "outer space" at last: mostly blackness with millions of white dots, most moving, alongside the walls. To your left is the glowing orange planet, garishly covered since 1995 by Fed Ex's satellite dish. You climb up one final small lifthill, hoping to catch a glance of the asteroid projection on the wall (often referred to as the "space cookie"). Finally, as you crest the hill, Mission Control announces "liftoff" and the music changes as you charge into the coaster!

You begin with a left turn, and acceleration is very quick. The remainder of the ride is accompanied by music synchronized with the drops and turns, courtesy of Dick Dale (renowned for surf-guitar music). Your rocket makes several turns, mostly to the right side, for the next few minutes. At top speed, shortly before the big drop, you reach 30 m.p.h., though it feels much faster. After one sharp turn, you go down a sudden dip - the highlight of the ride even though it's not a large drop. The turns become faster, more intense, more g-force-oriented as you near the bottom. A sudden bump upwards signifies that the final turn, this one to the left for a change, is about to occur. Whipping around, you race into the "explosion" ending (a cylinder lighted blue rotates around your rocket as you brake, accompanied by strobe effects) and you decelerate rapidly. The music becomes quieter, more introspective, as your rocket coasts back to the loading platform.

Why was the onboard ride music sometimes not working? The music, introduced in 1995, had always been problematic. These original rockets were never designed to hold a sound system, so the Disney Imagineers got creative in order to install it. Trouble is, like any system it needs upkeeping, and the onsite Disneyland maintenance guys were never told how to fix the thing. As a result, each maintenance takes longer than you might expect. Adding to this, the maintenance budget gets smaller and smaller each year, so that a good amount of rockets are missing music at any one time. If you're there on a day when NONE of the rockets have the music running, the reason for this is "operational consistency." This way, all guests receive the same experience. I guess locals wanting to wait for a rocket whose music is working can otherwise cause quite a backup and loading nightmare, so disabling the music on the working rockets might be the only option in those cases.

Statistics

- Construction started: June 1975
- Construction used one thousand tons of steel
- Opened May 27, 1977 as centerpiece of whole new Tomorrowland complex
- FedEx became sponsor in 1993
- 12 years of planning
- $20 million to build
- Over a million man-hours in design and construction
- Motto: "Galactic flight to the stars, the Cosmic Vapor Curtain, the Solar Energizer, and beyond"
- Army of specialists representing some 150 occupations worked on it
- Opening Ceremony: May 27, 1977
- Building Diameter: 200 ft.
- Height: 75 ft (excluding external spires)
- 117 ft (ground level to top spire)
- 17 ft below grade
- Length of track: Approx. 3,450 linear feet, including ride track, storage track and spur track
- Length of ride: 3,035 ft. or .57 mile
- Number of vehicles: 13 rockets, 2 vehicles per rocket
- Vehicle capacity: 12 passengers
- Dispatch Interval: 20.2 seconds at full capacity
- Approx. trip time: 2:45 minutes
- Average speed: 11.21 mph
- Maximum speed: 30.2 mph
- Number of Brake Zones: Ride 15 (2 sensors per zone; entrance and exit).
- Station: 6 (4 sensors per zone, entry, mid, "n" and exit).
- Waiting Times: Interior = 14 minutes, Exterior Permanent = 38 minutes (plus 30 more minutes in temporary).
- Image Capture System added May 4, 2001


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